Monday, September 08, 2014

The Art of On-the-Job Writing

Become a more effective and efficient writer today!

More than a technical manual of writing style and grammar, The Art of On-the-Job Writing offers a unique method for achieving workplace-writing success by offering four critical tools: the PDQ integrated writing process (planning, drafting, quality controlling); the 4S Plan for composing writing product (statement, support, structure, style); techniques to move writers from a me-focused style of essay writing to a results-oriented, us-focused business writing style and it-focused technical writing style; and the groundwork for becoming and remaining a successful on-the-job writer through inspirational, memorable, and relevant writing tips.

Sunday, September 07, 2014

The Art of E-mail Writing

Write e-mails: faster ... purposefully ... thoroughly ... clearly ... concisely ... correctly. Manage your e-system: filing ... attaching ... copying ... initiating ... responding ... forwarding. It’s all here in The Art of E-Mail Writing: a powerful, workable, and reliable method for:
  • jumpstarting the writing process without cluttering your mind
  • getting to the point without missing a beat
  • laying out your ideas without overloading your readers
  • keeping a fresh style without breaking the rules

Saturday, September 06, 2014

How to Write Fast Under Pressure

Anyone who regularly deals with work-related writing deadlines knows the kind of paralysis that can take over when there's too much to accomplish and not enough time to compose a clear sentence. How to Write Fast Under Pressure contains an easy, efficient, and confidence-building process for keeping up and being productive, even under tight time constraints and concentration-sapping obstacles. The book contains an immediately usable approach based on the mnemonic DASH, standing for the four critical components most needed for writers working under pressure. Filled with helpful tools and time-saving techniques, this indispensable guide reveals how anyone can break through writer's block and write faster and better.

Thursday, September 04, 2014

American Haiku

American Haiku is a collection from four decades of my work on the traditional Japanese three-line, 5-7-5- syllable poetic form. Always enamored of the haiku's demand for concision, I nevertheless break from its usual pattern by adding a fourth title line to many of the pieces in this volume. 

Readers of this work will immediately capture the essence of experience with a uniquely American perspective of angst, longing, and hope in an unstable, unpredictable world.

Monday, September 01, 2014

Like the Day I Was Born: 40 Poems, 40 Places, 40 Days

Like the Day I Was Born: 40 Poems, 40 Places, 40 Days is my first collection of poems. All of them were previously published in literary journals and websites around the world over a 20-year span.

The connection between poem and place in this volume is not always apparent. In truth, the duality of human nature is evident in our ability to have our bodies present in our environment while our mind transcends it. Thus, many of these poems see people isolated and desperate, trapped in a mechanized world and in conflict with nature or themselves. But underlying each poem is a reaffirmation of the will to live.

The book is divided into four sections of ten poems each around the themes of knowing (the marvels and limits of our knowledge), having (the things of this world we possess or desire), doing (our daily interactions with our work), and being (our reflective moments). I wrote each in a different location from age 19 to 39. Therefore, my hope for this collection is that it reinforces what I write in the preface: Poetry is. Everywhere. Always. 


Thursday, August 28, 2014

Questions Asked of Dying Dreams

Questions Asked of Dying Dreams adds up to a rousing maiden voyage for new playwright Vassallo and a challenging and enjoyable evening of theater. … Cynical, sarcastic, funny, or angry, all four playlets are insightful and engaging—no mean feat—and each takes a hard look at life, their characters always questioning its meaning.” — Bob Coyne, Asbury Park Press

Since I was a college student, I have seen writing as a dialogue, not a monologue. For this reason, I am not surprised that my way into creative writing of any sort is through dramatic scripts. Whether they are talking points in a guidance memo or a play for professional production, dialogues have always rung in my ear as a real way of communicating ideas, beliefs, and actions.

My attention to the way we speak to each other paid off when my first group of short plays, Questions Asked of Dying Dreams, led to my first staged show in New Jersey, followed by a New York premiere, as well as a playwriting fellowship from the New Jersey State Council on the Arts.

Questions Asked of Dying Dreams, a collection of four related one-act plays, looks at unanswerable questions we often ask ourselves, questions that inspire and disappoint us but ultimately keep us alive, whether in personal or business relationships:
  •    “What Do You Charge for a Cure?” (35 minutes), concerns a director of a clinical program for who confronts her professional and personal doubts as she deals with one of her clients and a new intake.
  •    “How Silent Do I Sound?” (15 minutes), is about a bigoted, aging moving man who unexpectedly meets his new coworker and his own destiny.
  •    “Do I Bleed in the Dark” (25 minutes), looks at a homeless ex-boxer who has a final chance to make something meaningful of his life in his dying moments.
  •    “Isn’t This the Way You Wanted Me?” (25 minutes), focuses on an embittered, frustrated wife who reassesses her marriage and life in light of her husband’s remarkable transformation.

People who have seen or read these plays have talked about their interesting blend of comedy and drama that energize these stories.

Saturday, August 23, 2014

Person to Person: Essays from Two Centuries

One of the joys of writing is the opportunity it affords the writer to reflect on anything in his experience. That fact rings true in the case of Person to Person: Essays from Two Centuries, a collection of 26 essays on my abiding passions as an educator, poet, and playwright. The book focuses on theater, communication, society, literature, film, education, and sports. Often, I find links among these divergent interests.

This 172-page collection spans the last decade of the twentieth century and first decade of the twenty-first, when I worked as a reporter, columnist, professor, and artist for diverse organizations in the New York metropolitan area. In this volume, my second collection of essays (The first is The Inwardness of the Outward Gaze: Learning and Teaching Through Philosophy), I write on a wide range of issues, including race relations, eating disorders, childcare, criminal law, school choice, the environment, cinema, playwriting, and literary biography. Twenty-two of the essays previously appeared in literary journals (The Sewanee Review), political bulletins (Cato Institute) scholarly periodicals (Et Cetera, Exit 9: Theory and Politics, Institute for Critical Thinking Conference), and trade publications (The Dramatist, Teaching English in the Two-Year College), newspapers (New Jersey Family, Home News Tribune, Rutgers Review), and e-zines (Cyber Oasis, Decathlon 2000, Education News, Srishti).

Two of the essays are looks at the writer’s life. Two are technical reflections on language. Six are on education issues ranging from contexts of history, film, school choice, corporate training versus traditional classroom teaching, the politics of textbook publishing, and critical theory. Three are appreciations of Robert Penn Warren and Tennessee Williams. Two are on the athletics discipline of the decathlon. Six are on social issues such as multiculturalism, child molestation laws, eating disorders, upward mobility, cultural reproduction and resistance. Finally, five are book reviews of On Dialogue by David Bohm, A Taste of Power by Elaine Brown, Dialogue: Rediscover the Transforming Power of Conversation by Linda Ellinor and Glenna Gerard, Fatal Flight by Natalino Fenech, Genesis by Emanuel di Pasquale, Dialogue and theArt of Thinking Together by William Isaacs The Content of Our Character by Shelby Steele, and The Magic of Dialogue: Transforming Conflict into Cooperation by Daniel Yankelovich.

The line of thought in this book varies as broadly as the interests, and the conclusions can be surprising. In any event, reading Person to Person is like reading a part of me.